Did you know some of your favourite movie scenes were inspired by legendary works of art? Directors frequently draw inspiration from the great masters of painting to craft unforgettable visuals. Whether it’s evoking the emotion of a classic artwork or mirroring its composition, these moments blur the line between fine art and film. Here are some iconic examples where the silver screen borrowed from the canvas.
1. A Clockwork Orange and Vincent van Gogh’s Prisoners’ Round (1890)
Stanley Kubrick’s A Clockwork Orange famously references van Gogh’s haunting depiction of prisoners marching in a grim, claustrophobic circle. The symmetry and perspective of the scene amplify the film's commentary on oppression and dehumanisation. Kubrick’s homage to this masterpiece reminds us of van Gogh’s timeless ability to evoke despair and confinement.
2. The Lighthouse (2019) and Sacha Schneider’s Hypnosis (1904)
Robert Eggers’ The Lighthouse is steeped in allegory and surrealism, but one striking visual echoes Schneider’s Symbolist painting, Hypnosis. The film's imagery—Robert Pattinson’s character mesmerised by the eerie glow of the lighthouse—captures the same sense of enthralment and existential dread as Schneider’s unsettling work.
3. Shutter Island and Gustav Klimt’s The Kiss (1907)
In Martin Scorsese’s psychological thriller, the dreamlike sequence where Teddy Daniels (Leonardo DiCaprio) dances with his wife recalls Gustav Klimt’s The Kiss. The golds and warm hues, along with the tender yet tragic embrace, mirror Klimt’s masterpiece, adding an emotional depth that underscores the protagonist’s fragile mental state.
4. Twin Peaks: The Return and Francis Bacon’s Portrait of a Man (1953)
David Lynch, a known admirer of Francis Bacon, channels the painter’s distorted human forms in Twin Peaks: The Return. In particular, Mr C’s unsettling appearance draws from Bacon’s Portrait of a Man, with its abstract, grotesque features. This visual nod deepens the eerie, otherworldly atmosphere of Lynch’s work.
5. Heat and Alex Colville’s Pacific (1967)
Michael Mann’s Heat is often praised for its cool, precise aesthetic, but the scene where Robert De Niro’s McCauley gazes out at the ocean pays tribute to Alex Colville’s Pacific. The painting’s stillness and tension—a man sitting near an open window with a gun on the table—perfectly match the film’s themes of solitude and inevitability.
6. Melancholia and John Everett Millais’ Ophelia (1851–1852)
Lars von Trier’s Melancholia is an ode to Millais’ tragic depiction of Ophelia from Hamlet. Kirsten Dunst’s character, clad in a flowing dress, lies serenely in water, echoing the Pre-Raphaelite painting. The scene is not only visually stunning but also symbolic of despair and surrender.
7. Carrie and Gustave Moreau’s Study of Lady Macbeth (1851)

In Brian De Palma’s adaptation of Carrie, the intense imagery of Sissy Spacek’s blood-drenched figure mirrors Moreau’s Study of Lady Macbeth. Both evoke themes of power, madness, and tragedy, highlighting the destructive potential of a woman scorned. The parallels between Carrie and Lady Macbeth are undeniable in their shared descent into chaos.
8. The Exorcist and René Magritte’s L’Empire des Lumières (1954)
The iconic poster for The Exorcist is a direct homage to René Magritte’s surreal painting L’Empire des Lumières. The poster depicts a figure standing under a streetlamp, bathed in eerie light, with the house behind shrouded in darkness. This striking visual captures Magritte’s juxtaposition of the familiar and the uncanny, perfectly reflecting the film’s chilling exploration of the supernatural.
9. Pan’s Labyrinth and Francisco Goya’s Saturn Devouring His Son (1819–1823)
Guillermo del Toro’s Pan’s Labyrinth includes a harrowing scene where the Pale Man devours fairies, directly echoing Francisco Goya’s Saturn Devouring His Son. The grotesque imagery and horrifying act of consumption reflect themes of brutality and despair that resonate throughout both the film and Goya’s chilling masterpiece.
10. The Truman Show and René Magritte’s Architecture au clair de lune (1956)
The surreal tone of The Truman Show is beautifully encapsulated in a shot that mirrors René Magritte’s Architecture au clair de lune. The composition of the idyllic suburban landscape, with its artificial lighting and dreamlike quality, reflects Magritte’s exploration of constructed realities and illusions. This parallel underscores the film’s central themes of control and the search for truth.
11. Psycho and Edward Hopper’s House by the Railroad (1925)
Alfred Hitchcock’s Psycho owes much of its haunting atmosphere to Edward Hopper’s House by the Railroad. The eerie, isolated house atop a hill closely mirrors Hopper’s painting, with its sharp angles and desolate setting. This visual reference heightens the film’s tension and perfectly encapsulates the unsettling, voyeuristic themes that define the story.
12. Nosferatu (2024) and Caspar David Friedrich’s Wanderer above the Sea of Fog (1818)

The cinematography of Robert Eggers' Nosferatu (2024) draws clear inspiration from Caspar David Friedrich’s Wanderer above the Sea of Fog (1818), reflecting the same sense of romantic isolation, mystery, and sublime nature. Both images depict a lone figure standing on the edge of a dramatic landscape, gazing into the vast, misty expanse before them. The framing, perspective, and melancholic atmosphere of Eggers' shot evoke the Romantic era’s fascination with the unknown and the overwhelming power of nature, reinforcing Nosferatu's gothic aesthetic.
🧩 Recreate Masterpieces with Fine Art Jigsaw Puzzles
Immerse yourself in the beauty of fine art with our collection of fine art jigsaw puzzles, perfect for art and cinema enthusiasts alike. Recreate iconic works like Van Gogh’s The Starry Night, Klimt’s The Kiss, or Magritte’s The Son of Man piece by piece. These puzzles offer a hands-on way to appreciate the intricate details and timeless beauty of these masterpieces.
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